Shōya Ishida
Shōya Ishida |
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Alias: |
Sho-chan
Ishida-kun Ya-sho Cho-ya Sho-tan |
Profile | |
Age: | |
Birthday: | June 6th 1996 |
Sign: | Gemini |
Gender: | Male |
Height: | 183 cm (6’) |
Bloodtype: | A |
Personal Status | |
Marital Status: | Single |
Relatives: |
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Professional Status | |
Occupation: | |
Affiliation: | |
Debut | |
Manga: | Chapter 01 |
Portrayal | |
Japanese Voice: | |
English Voice: |
Physical Appearance
Physical Appearance
Shōya has an unruly head of dark hair, almost spiky, that tends to sweep back and upward. His eyes are round but given a sharper, more intense look by his angled lashes and underlines. His irises are comparatively small, with their color differing between adaptations—dark brown or black in the manga, and green in the film.
As a Child
At twelve, Shōya often looked scruffy, frequently returning home with clothes damp or dirtied. He was of average build, though slightly taller than his friends Kazuki Shimada and Keisuke Hirose. His face, while shorter than in his later years, already showed the pointed chin and angular features that would become more pronounced as he grew.
His most typical childhood outfit was a simple black t-shirt, beige cargo shorts, and either sneakers or school shoes. On school days, he sometimes layered a red and blue striped long-sleeve shirt under his black t-shirt. One distinctive habit carried over from childhood is his tendency to leave the tag of his shirt sticking out from the back of his neck, an endearing and consistent detail over the years.
Shōya in student uniform full appearance.
As a Teen/Young Adult
In his teenage years, Shōya has grown considerably taller, now standing at around 6 feet, making him noticeably taller than most of his friends. This height, combined with his slim build, gives him a somewhat lanky appearance. The only peer who comes close to his height is Miyoko Sahara, who stands at 5’11”.
Shōya’s casual wardrobe is understated and consistent, usually featuring similar pieces. His go-to look is a black t-shirt with beige cargo pants and sneakers, although he occasionally opts for a long-sleeve shirt or shorts. For school, he wears the standard uniform: a mocha-brown blazer, dress pants, a white dress shirt paired with a black tie, and dark brown dress shoes. When he’s more casually dressed, he might wear just the shirt and pants without the blazer.
Despite his growth, Shōya retains a slightly disheveled appearance, often with tags sticking out from his shirts or one side of his shirt partially untucked. This unintentional messiness reflects his ongoing struggle to understand himself and his place among others.
Personality
During his childhood, Shōya often battled against boredom, frequently engaging in rowdy and mischievous behavior to entertain himself. While he wasn’t inherently malicious, his relentless quest for amusement led him to become the main tormentor of Shōko Nishimiya in sixth grade. At that time, he lacked the ability to empathize with her or comprehend the impact of his actions, particularly in light of her hearing impairment.
As a result of the repercussions from his bullying, Shōya entered his late teens feeling isolated and filled with self-loathing. He grappled with profound regret over his past actions, believing he was unworthy of happiness. Even as he developed a friendship with Shōko, he struggled with self-doubt, questioning whether his feelings were sincere or merely a means to soothe his own guilt. His emotional responses could be intense and unpredictable, manifesting as sudden outbursts of anger or tears, often without clear reasons.
Despite these internal conflicts, Shōya is inherently kind and empathetic. He forms unexpected and meaningful connections with those around him, showing a deep passion for the well-being of his friends. His willingness to put others before himself is particularly evident in his relationships with Shōko and her sister, Yuzuru Nishimiya.
Though he continues to grapple with self-forgiveness, Shōya is learning to trust both himself and those around him. He gradually reopens to the world, allowing his better nature to emerge through the meaningful relationships he cultivates. Through these connections, he has significantly evolved from the troubled child he once was, embracing the possibility of redemption and growth.
Story
Primary and Middle School
Shōya Ishida’s life begins to change dramatically with the arrival of Shōko Nishimiya. Initially, he becomes an active participant in the bullying directed at her, showing no remorse for the pain he inflicts. At one point, he mocks Shōko by writing on the board that Miyoko Sahara, a classmate who had befriended her, left school because of her. When Shōko reads his cruel words, he feigns surprise and erases the message, leaving her confused as she thanks him. Shōya escalates his bullying further, ultimately attempting to violently snatch away her hearing aids, a tipping point that leads to serious consequences. The school principal intervenes after Shōko has mysteriously lost or broken eight hearing aids in just five months.
Upon realizing the financial burden this places on his family, Shōya becomes anxious. He faces the wrath of his classmates and, in turn, becomes a target of bullying himself. Despite this, he never offers an apology to Shōko, and when his mother meets with the Nishimiya family to compensate for the damaged hearing aids, Shōya avoids encountering Shōko. Later, while witnessing her cleaning her desk, which is littered with insults directed at her, he fails to grasp the significance of her actions. Annoyed by her kindness, he confronts her, but soon after, Shōko transfers to another school. It dawns on Shōya that her cleaning efforts were meant to help him, leading to a profound sense of regret over his past actions. He begins to face bullying in return and feels utterly alone as he navigates middle school without his former friends, especially after Kazuki Shimada publicly reminds everyone of his past cruelty.
High School
In high school, Shōya finds himself increasingly isolated, introverted, and plagued by social anxiety. He struggles to make eye contact with others, often envisioning their faces marked with crosses. Despairing, he contemplates ending his life but ultimately decides he must see Shōko one last time to return her communication notebook that he had kept since elementary school. When he gives it back to her, Shōko is surprised to discover that he has learned sign language. Tears fill her eyes when he signs his wish to be friends—an offer he had previously failed to understand. Embarrassed by his sudden impulse to ask for her friendship, Shōya nonetheless begins to forge a bond with her.
Despite his lingering guilt about the past, Shōya becomes determined to restore the happiness he took from Shōko during their childhood. He reconnects her with Miyoko Sahara, introduces her to new friends, and encourages her to embrace self-love, gradually helping her understand her own worth. As their friendship deepens, Shōko becomes a vital part of Shōya’s life; he cannot envision his future without her. As he starts to build a circle of friends, he also faces the shadows of his past. When reminders of his earlier mistakes surface, he fears losing the connections he has worked hard to establish, which leads him to withdraw and spend more time with Shōko.
In a harrowing moment, when Shōko contemplates ending her life, Shōya is ready to sacrifice himself to save her, vowing to change her perspective on life. In a twist of fate, he takes her place and falls from a building. After emerging from a coma, all he desires is to see Shōko again. When they finally reunite on a bridge, he asks her to help him find the will to live.
During a high school party, Shōya confronts the lingering stares of his peers but manages to reconcile with them, promising to listen to others and be more aware of their feelings. This pivotal moment marks the beginning of his recovery from social anxiety, allowing him to reclaim a sense of serenity and happiness. In the manga’s coming-of-age ceremony, Shōya and Shōko take a step forward together, hand in hand, symbolizing their shared journey of healing and growth.
Relationships
Love Interests
Shōko Nishimiya:Shōya first meets Shōko when she joins his sixth-grade class, but he misunderstands her desire for friendship and becomes one of her bullies, which ultimately leads to her transferring schools. Years later, Shōya seeks out Shōko to return her communication notebook, intending to end his own life. Instead, he unexpectedly asks her to be friends, and she accepts, sparking a bond that transforms both of their lives.
Though initially doubtful of his right to be Shōko’s friend, Shōya’s persistence and circumstances allow him to keep seeing her. He dedicates himself to restoring the happiness he once took from her, navigating his own insecurities along the way. As they become closer, Shōya learns to communicate more naturally with Shōko, although he struggles to understand her feelings for him, misinterpreting her affection as a reference to the moon. Their relationship culminates in a heartwarming moment where Shōya saves Shōko’s life and finally apologizes for his past behavior. This leads to a deeper understanding between them, with Shōko promising to support him as they begin to truly connect.
While the series leaves the nature of their relationship somewhat ambiguous, hints suggest that Shōya may have romantic feelings for Shōko. Examples include his selfless acts towards her, his anxiety over her plans to move to Tokyo, and subtle implications from others about their connection. Ultimately, Shōya appears to remain unaware of these deeper feelings until the end of the story.
Friends
Yuzuru Nishimiya: Initially, Shōya and Yuzuru have a strained relationship, as she resents him for his past bullying of Shōko. However, when Shōya shows kindness to Yuzuru after discovering her in a vulnerable state, she begins to see him in a new light. Over time, as Shōya takes responsibility for his actions and works to make amends with Shōko, Yuzuru grows to trust and appreciate him. Their friendship deepens as they support each other through personal struggles, forming a bond akin to that of an older brother and younger sister.
Tomohiro Nagatsuka: Tomohiro is one of the first friends Shōya connects with after years of isolation. Their friendship blossoms when Shōya helps Tomohiro recover his stolen bike, leading to a mutual bond. Tomohiro’s outgoing nature encourages Shōya to open up, and he supports him through doubts about his friendship with Shōko. Despite moments of tension due to Tomohiro’s pushy tendencies, their friendship remains strong, and they reconcile easily after Shōya wakes from his coma.
Miyoko Sahara: Although they don’t interact in sixth grade, Shōya recalls Miyoko after Shōko expresses a desire to see her again. After successfully reuniting them, Shōya is honest about his past, and they quickly become good friends. Miyoko teases Shōya about his feelings for Shōko, indicating her awareness of his emotional turmoil. Despite some misunderstandings during a group fallout, they manage to reconnect after Shōya’s recovery, reaffirming their friendship.
Naoka Ueno: Naoka was one of Shōya’s friends during elementary school until the bullying incident drove them apart. After their paths cross again, Shōya’s distaste for Naoka becomes evident when she expresses hostility toward Shōko. Their relationship is strained by Naoka’s attempts to rekindle old friendships and her confrontational behavior. Shōya remains oblivious to her potential romantic feelings for him, but they ultimately reconcile towards the end of the series.
Satoshi Mashiba: Initially, Satoshi admires Shōya and expresses a desire to be friends. Their bond grows, but is tested when Shōya’s past as a bully is revealed. After Shōya risks his life to save Shōko, Satoshi recognizes that his earlier aggression was misplaced and apologizes, strengthening their friendship.
Miki Kawai: Miki is a classmate with whom Shōya has a complicated history. She never openly disapproved of Shōya’s bullying, which causes him to harbor resentment towards her. Their relationship becomes contentious during a group outing, but they eventually reconcile after Shōya’s recovery from his coma.
Kazuki Shimada and Keisuke Hirose: Former friends from elementary school, Kazuki and Keisuke distance themselves from Shōya after he is blamed for the bullying incident. Their reunion at an amusement park is awkward for Shōya, who resents being set up by Naoka. Later, they play a crucial role in saving Shōya’s life after his fall, although he learns of their actions through Naoka rather than directly.
Family
Miyako Ishida: Shōya has a complex but caring relationship with his mother, Miyako. Although he sometimes acted abrasively towards her as a child, he deeply cares for her. After a traumatic incident where she loses a significant amount of money because of him, Shōya feels immense guilt. In his senior year, he contemplates suicide but ultimately decides to live after meeting Shōko. Miyako’s confrontation helps him realize the value of his life, and their bond grows stronger as he shares his aspirations with her.
Sister: Shōya’s relationship with his sister is mostly ambiguous due to her infrequent appearances. She seems to have influenced his outlook on life with her philosophy that “life is a war against boredom.” Their mutual interest in manga is noted, but the extent of their connection remains unclear, especially as Shōya isolates himself from those around him.
Maria Ishida: Maria, Shōya’s niece, shares a close bond with him. He often takes care of her and enjoys spending time together, showcasing his nurturing side amidst the challenges he faces.
Pedro: Pedro is Shōya’s brother-in-law and seems to have a friendly relationship with him. He introduces himself warmly and expresses a protective instinct towards Shōya, though not much else is known about their dynamic.
Trivia
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In the anime film adaptation, Shōya’s characterization differs from the original manga. The film emphasizes his anxious and reserved traits, downplaying his anger and resentment.
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Shōya and Shōko Nishimiya both share the affectionate nickname “Shō-chan,” highlighting their close bond.
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Their birthdays are just one day apart—Shōya’s is on June 6th, while Shōko’s is on June 7th. Notably, June 6th is recognized as Hearing Aids National Memorial Day in Japan, established in 1999.
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When Shōko confessed her feelings to Shōya, he misinterpreted her use of “suki” (meaning “like” or “love”) as “tsuki” (meaning “moon”). This misunderstanding stemmed from both the similar sounds of the words and Shōya’s struggles with emotional comprehension.
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The phrase “the moon is beautiful” (月が綺麗ですね,tsuki ga kirei desu ne) can be used as a poetic expression of love in Japanese, thanks to its phonetic resemblance to “suki.” This romantic connotation was popularized by the author Natsume Sōseki.