Near
Name | Near (ニア, Nia) |
---|---|
Real Name | Nate River (ネイト=リバー,Neito Ribā) Nathaniel Rivers(audio drama) |
Also Known As | N (Third)L Next(L: Change the WorLd) B(TV drama) Mello(TV drama) |
Series debut | Death Note manga |
Personal Information | |
Species | Human |
Gender | Male |
Blood type | B |
Date of birth | August 24, 1991 (1994 in anime) 1997(film series) |
Age | 13(pre-timeskip) 17-18(post-timeskip) 21(post-series one-shot) 27(Never Complete One-shot) 8(L: Change the WorLd) 19(Death Note: New Generation) |
Height | 155cm (5′ 1″) |
Weight | 40kg (88 lbs) |
Lifespan | 43406 |
Occupation | Detective |
Organization | Wammy’s House Special Provision for Kira |
Appearances | |
Manga debut | Chapter 59: Zero |
Anime debut | Episode 26: Renewal |
Film series | L: Change the WorLd |
Novels | Death Note Another Note: The Los Angeles BB Murder Cases(mentioned) L: Change the WorLd |
Video games | Death Note: Kira Game Death Note: Successor to L |
Stage | Death Note: The Musical |
TV Drama debut | Episode One |
Other media | Jump Ultimate Stars |
Voice Actors | |
Japanese | Noriko Hidaka (日高のり子, Hidaka Noriko) |
English | Cathy Weseluck(anime) Michael Strusievici(L: Change the WorLd) |
Live-Action Actors | |
Japanese Film Series | Narushi Fukada(福田響志,Fukada Narushi)(L: Change the WorLd) Daisuke Sakaguchi(阪口 大助 ,Sakaguchi Daisuke)(Death Note: New Generation) |
TV Drama | Mio Yuki (優希美青, Yūki Mio) |
“ | ” | |
— Near
|
Appearance
Near’s full appearance.
Near is a young, slender man with a petite build, fair skin, and short, shaggy platinum blonde hair that he frequently plays with out of habit. He has gray eyes and is typically seen wearing a plain white, long-sleeved pajama top paired with white pajama pants. In the anime adaptation, his pants are depicted as light blue.
In the Death Note One-Shot Special, which occurs three years after the conclusion of the Kira case, Near’s appearance undergoes some changes. He is shown to have slightly longer hair, sharper bags under his eyes, and a noticeable growth spurt. He also mimics L’s iconic sitting posture, often adopting an expressionless demeanor.
Character
Near is highly intelligent, with an exceptional ability to solve complex problems, which is reflected in his methodical and puzzle-like approach to investigations. Despite his young and childish appearance, he has a sharp, analytical mind that enables him to piece together intricate details, often portrayed when he assembles a puzzle almost entirely colored white. Near is known for his calm demeanor and his ability to multitask, as seen when he monitors multiple computer screens at once. He also demonstrates ambidexterity, playing darts with one hand and stacking dice with the other.
While Near’s intellectual prowess is undeniable, he struggles with social interaction, appearing distant and awkward in personal exchanges. According to Death Note 13: How to Read, his true deductive abilities shine when he has the support of others, despite his preference to work alone. His isolation stems from his sensitivity, which leads him to maintain a distance from people. This is reflected in his co-dependence, as he feels the need for Rester’s companionship during tasks as simple as flying, due to his lack of solo experience.
Near is often calm and level-headed, possibly even more so than L, his predecessor. He is also known for his willingness to bend the rules or use morally ambiguous tactics, showing that he values results over the strict confines of legality. Near’s smirks and subtle humor, such as when he notes that Light is “popular with the ladies,” hint at a playful side to his otherwise serious demeanor. However, he often exhibits more emotion in the manga than in the anime, such as when his colleagues in the SPK are killed. Though stoic in the anime, his upset reaction is more apparent in the manga.
Tsugumi Ohba, Death Note’s writer, acknowledged that Near became less likable as the story progressed. His childlike behavior, meant to emphasize his youthful and cheeky nature, sometimes annoyed readers, leading to a mixed reception. Ohba also noted that some viewed Near as a cheat or a wannabe L, reinforcing the contrast between the two characters.
Near holds great respect for L, modeling much of his crime-solving methodology after his predecessor. He only takes on cases that personally interest him, echoing L’s selective approach to justice. Near’s day-to-day behavior mirrors L’s unusual mannerisms, such as his hunched posture and his penchant for constantly playing with toys. His interests, though childlike, often showcase his intellect. He is fond of stacking dice and building massive structures out of Tarot cards. He surrounds himself with toys like action figures, darts, and dolls, though he rarely engages with electronic toys.
Despite his youthful demeanor and love for toys, Near demonstrates a level of pragmatism that surpasses the other central characters in Death Note, including Light, L, and Mello. He views justice through a pragmatic lens, often taking a realist or existentialist stance. This is seen in the Never Complete one-shot when he refuses to oppose the American government, even when they possess the Death Note, acknowledging the reality of his position as a resident of the U.S. and the difficulties of confronting a global superpower directly.
Near’s insignia.
During the Kira investigation, Near adopts the letter “N” as his symbol, using the Wedding Text BT/ClerestorySSK font to represent himself. After taking up L’s mantle, he uses L’s signature Old English Text MT/Cloister Black font during his investigations, signifying his role as L’s successor.
History
Near is introduced as a young child living at Wammy’s House, a special orphanage for gifted children founded by Watari. He is first seen sitting alone in a room, focused on piecing together a white puzzle that contains only a black letter “L” in one corner. Despite other children running past and a girl named Linda inviting him to join in their play, Near calmly declines, choosing to stay with his puzzle.
Near solving a puzzle in Roger’s office.
Soon after, Roger Ruvie, the caretaker of Wammy’s House, enters the room with another child named Mello and brings the two boys to his office. There, Roger informs them that L, the world’s greatest detective, has died. This news evokes a strong reaction from Mello, who becomes angry and questions how L could have failed to catch Kira, given his legendary status. However, Near remains composed and silent, continuing to work on his puzzle. As Mello expresses his frustration, Near picks up his completed puzzle, flips it upside down, and lets the pieces scatter to the floor. He calmly states, “If you can’t win the game, if you can’t solve the puzzle, you are just a loser,” before beginning to piece the puzzle back together.
Mello asks Roger whether L had chosen a successor between the two of them. Roger responds that L had not yet made his decision, leaving the position of successor undecided. Roger suggests that Near and Mello could work together to succeed L, but while Near agrees with a simple “alright,” Mello refuses, insisting that they don’t get along. Mello believes that Near should take over as L due to his calm, emotionless approach and his ability to think logically, but he also makes it clear that he won’t be part of it. Following this exchange, Mello leaves the orphanage, pursuing his own path, while Near stays behind, continuing his work.
In the time between L’s death and the creation of the Special Provision for Kira (SPK), Near begins gathering evidence related to the Kira case. Since all of the data collected by L was deleted after his death, Near has to start the investigation from scratch, relying on his intellect and deductive abilities to pick up where L left off.
Plot
Several years after L’s death, Near, now a young detective, steps in to continue the Kira investigation. On March 5, 2009 (2012 in the anime), Near, along with FBI Director Steve Mason, meets with the President of the United States. They inform him that the current ‘L’ is an imposter, set up by the Japanese Police to maintain order. Near confirms that the murders attributed to Kira are indeed carried out using a supernatural tool called the Death Note, capable of killing anyone whose name is written in it. By retracing L’s steps and his pursuit of Higuchi, Near explains how the Death Note was likely taken by the Japanese Police after the incident. The President, intrigued by Near’s deductions, learns from Director Mason that Near is the true heir to L’s legacy.
Soon after, on March 12, 2009, the U.S. government establishes the Special Provision for Kira (SPK), an elite task force led by Near, which is dedicated to hunting down Kira. From the outset, Near is skeptical of the Japanese Task Force, suspecting that they may be hiding key information. When Deputy Director Takimura is kidnapped, Near offers his group’s assistance to solve the case and reclaim the Death Note. However, Takimura’s mysterious suicide raises alarm bells, leading Near to suspect Kira’s involvement.
The stakes escalate when Sayu Yagami, the daughter of Task Force leader Soichiro Yagami, is also abducted. The kidnappers demand the Death Note in exchange for Sayu’s life, forcing the Task Force to turn to Near for help. Near agrees to oversee the exchange, though the kidnappers manage to evade his satellite surveillance by conducting the trade underground. Despite this, Near gathers crucial information, identifying Mello, another former Wammy’s House prodigy, as the mastermind behind the kidnapping.
As Near continues his investigation, he grows increasingly suspicious of the second ‘L’—Light Yagami—and begins to believe that Light is, in fact, Kira. Near’s strategy involves toying with Light, subtly hinting at his suspicions while gathering more evidence. Despite Mello’s antagonism, Near realizes that Mello’s actions are inadvertently helping to expose Light’s true identity.
As Near prepares for his final move, he has Misa Amane and Teru Mikami, Light’s accomplice, taken into custody. Near’s ultimate plan revolves around swapping Mikami’s Death Note with a fake, hoping to catch Light in the act of using it. Although Mikami had already forged a duplicate Death Note under Light’s instructions, Near remains confident in his strategy.
The showdown between Near and Light takes place at the Yellow Box Warehouse, where Near finally springs his trap. When Mikami tries to write the names of everyone present, only Light’s name remains unwritten, providing undeniable proof that Light is Kira. Near triumphantly explains his plan and credits Mello for playing a key role in Kira’s downfall. In a final desperate act, Light attempts to defend Kira’s actions, claiming that his killings were for the greater good. Near, however, firmly rejects this, pointing out that Kira’s moral philosophy is deeply flawed. With the situation unraveling, Light is shot by Touta Matsuda, and Ryuk, true to his promise, writes Light’s name in his Death Note, ending the conflict.
Following Light’s death, Near assumes the role of the new L, taking on the title and responsibilities of the world’s greatest detective.
In the manga’s epilogue, Matsuda speculates that Near might have used the Death Note on Mikami to guarantee his victory, though this remains an open question for readers to interpret.
Later, in a special one-shot chapter, Near continues his work as L. A new Kira, known as “C-Kira,” emerges, killing elderly people to supposedly end their suffering. Near dismisses this Kira as insignificant and makes a public statement that he has no interest in pursuing the case. This leads C-Kira to end their own life.
InThe a-Kira Story, Near, now older and with longer hair, faces a new challenge. When Minoru Tanaka attempts to auction off a Death Note, Near investigates but ultimately admits defeat, realizing he cannot capture A-Kira due to the involvement of the U.S. government. For the first time in his career, Near concedes that he has been outwitted.
In other media
Death Note Film Series
In the L: Change the WorLd movie, Near is introduced as a young, talented boy from Thailand who demonstrates a remarkable ability with calculations. After a deadly virus wipes out his village, he becomes the sole survivor. L names him “Near,” intending for the boy to succeed him as the next “L,” as he knows his own time is limited due to the Death Note’s rules. Near remains mostly quiet throughout the film, communicating only in numbers and letters, and speaks solely in English. Interestingly, in the live-action adaptation, Near’s hair is black instead of white, differing from his anime and manga appearance. Near is portrayed by Narushi Fukuda in the film and voiced by Michael Strusievici in the English dub. Although L gives him the name “Near,” he is listed as “BOY/ニア” in the film credits for reasons unknown.
Near also makes an appearance in the Death Note: New Generation miniseries, specifically in the second episode titledDying Wish. In this episode, Near calls L’s successor, Ryuzaki, to inquire about a case. During this conversation, Near switches to Japanese to test Ryuzaki’s language skills as a preparation for him joining the Kira investigation. Near has a minor role inDeath Note: Genius of the Counterattackas well, where he has a conversation with Ryuzaki at the end.
Although Near doesn’t physically appear in the film Death Note: Light Up the NEW World, he is mentioned in the novelization of the film, where he continues to maintain contact with Ryuzaki remotely.
L: Change the WorLd (Novel)
In the novel adaptation of L: Change the WorLd, Near is described more in line with the originalDeath Noteseries. In this version, there is no necessity for an immediate successor since the plot where Kira kills L is absent. However, Near still plays a role by assisting L behind the scenes in capturing the Blue Ship organization. Unlike the film, Near is not portrayed as a Thai boy in the novel.
The novel also reveals that Near was L’s preferred successor, should the need arise. Interestingly, the novel omits any mention of Mello, and L remarks that Near might prove to be even more challenging to handle than himself.
TV Drama
In the Death Note television drama, Near has a larger and more direct role in the storyline. From the beginning of the series, Near maintains regular contact with L, and the two detectives spend time together. Unlike the original series, Near uses the alias “B” and starts assisting with the investigation as early as the Yotsuba arc.
In this adaptation, Near and Mello are portrayed as two personalities within a single character, rather than two separate individuals. Mello first appears as a puppet that Near carries around, and eventually, Mello’s personality manifests more fully, embodying a split within Near himself.
Near is portrayed by actress Mio Yūki in the drama, and the character’s gender is intentionally left ambiguous, adding a unique element to the portrayal.
Conception
The following information is fromDeath Note 13: How to Read.
Tsugumi Ohba: Writer
Takeshi Obata: Artist
Character Design and Development
Tsugumi Ohba wanted Near to have a childlike hobby, which is why he plays with toys, especially robots, and stacks objects—an evolution from L’s habit of stacking sugar cubes. This was meant to emphasize Near’s childish demeanor, showing his contrast to more mature characters while maintaining intellectual brilliance.
Ohba revealed that Near’s given name, Nate, is derived from the word “natural,” while his last name, River, symbolizes that Near’s talents flow from L. In essence, Near was conceived as the “natural successor” to L, and his name reflects this notion of being a natural genius, blessed with innate abilities. The nickname “Near” is formed by rearranging the first and last letters of Nate River to create a familiar word.
Ohba left much of the design work to Obata, asking him to make Near and Mello look somewhat reminiscent of L, incorporating a bit of L’s “weirdness” and his distinct “panda eyes.” Obata noted that, in their initial designs, the appearances of Near and Mello were actually reversed. Near’s original design became Mello’s, and vice versa. This switch occurred because when Obata first presented the designs, the names were mislabeled by the editor. Once approved, Obata didn’t correct the labels but later felt that the mix-up ultimately worked in the story’s favor. He commented that Near, in the end, felt more sinister than Mello, and he believes it was for the best that the designs were swapped.
Obata admitted that, at first, he had no idea what Near was supposed to be wearing, and found it difficult to draw his clothing until he decided to simplify it into pajamas, playing off Near’s “toyish” and childlike nature. This made drawing Near easier, and as he worked on the character, the concept of his immaturity grew stronger in his mind. Early on, Near’s only toy was a set of darts, but this aspect expanded as his character developed.
One distinctive element in Near’s final appearance is the use of finger puppets during the story’s climax. Ohba disclosed that these puppets were not originally planned in the thumbnails, but he felt they added a “cooler” aspect to the final scenes. Obata, in turn, believed the puppets revealed Near’s darker side, with his attachment to them reflecting his complex and sometimes unsettling personality. Near originally drew on the puppets with a magic marker, but he likely crafted the other puppets over time.
Obata further commented on Near’s relationship with L. Although Near respects L, he doesn’t seem to admire him personally, as seen in his line, “If you can’t win the game, if you can’t solve the puzzle, then you’re just a loser.” When Near refers to L as a “loser,” Obata had him depict L’s puppet as ugly, a deliberate contrast to how Near carefully crafted Mello’s puppet—reflecting Near’s grudging respect and affection for Mello, despite their rivalry.
Finally, when asked who the smartest character inDeath Noteis, Obata jokingly responded, “Near, because he cheats,” implying that Near’s intelligence and methods gave him an unfair advantage over his opponents.