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Mello

Mello (メロ,Mero) is one of L’s two potential successors, having been raised at Wammy’s House, an orphanage for exceptionally talented children located in Winchester, England, under the care of Watari. When Roger, the head of the orphanage, proposes that Mello collaborate with Near to catch Kira, Mello declines, citing their contrasting personalities and approaches. Shortly after, he departs from Wammy’s House and eventually aligns himself with the Mafia to pursue his own goals.

I Don’t Underestimate Revenge As A Motive.
— Mello

Appearance

Sultan Abdulmejid (left) with Queen Victoria of the United Kingdom and Emperor Napoleon III of France

Mello’s full appearance.

Mello is portrayed as a young man with chin-length golden-blond hair and striking blue eyes. His bangs fall just above his eyebrows, and his height is roughly average. After an explosion at a Mafia hideout, which he triggers to avoid capture, Mello acquires a noticeable scar that stretches from somewhere between his shoulder and waist up to just below his nose and across his left eye. His typical attire consists of dark leather outfits. In the manga, Mello is shown wearing a distinctive red rosary and a bracelet adorned with a cross. However, in the anime adaptation, the cross is altered to appear as a stick, with the horizontal bar omitted. Additionally, he wears a belt with cross-shaped buckles and carries a gun attached to it. In the manga, this gun features a cross dangling from a chain on its handle.


Character

Mello is undeniably a genius, far more intelligent than the average person. However, his constant position as the second most intelligent at Wammy’s House, behind Near, fuels the deep inferiority complex that shapes his personality. His intense desire to be the one to defeat Kira drives him to morally questionable actions, showing that he is willing to go to any lengths, such as kidnapping Sayu Yagami, the daughter of the Japanese Police Director, and orchestrating the deaths of several SPK members. After successfully obtaining a Death Note, Mello goes as far as to attempt blackmailing the president of the United States. He threatens to use the Death Note to force the president to initiate nuclear war if his demands for resources and support in his pursuit of Kira are not met.

Mello’s motivations seem less about justice and more about proving himself as L’s true successor. Capturing Kira would be his ultimate validation, cementing him as the greatest detective in the world, surpassing Near. His ambition is clearly stated in his own words: “I will become number one!”

In Death Note 13: How to Read, artist Takeshi Obata notes that Mello’s envy and resentment toward Near are one-sided, as Near actually “honestly liked Mello.” The book highlights that Mello is not purely evil, pointing to his concern for Matt’s well-being and his sincere apology for Matt’s death. He also expresses remorse for his role in Soichiro Yagami’s fatal injuries. Despite his brilliance, Mello sometimes allows his emotions to cloud his judgment, a contrast to Near’s more composed nature. Writer Tsugumi Ohba also commented that Mello’s success comes from hard work, unlike Near, who possesses more natural intellect.

Much like L’s love for sweets, Mello has a constant habit of eating chocolate bars, even during serious conversations. In the manga, he is sometimes shown licking the chocolate before consuming it. Mello also displays a characteristic posture, frequently bending his right leg while seated or crossing it over his left. His strategies are often as bold and extreme as L’s, showing a similar drive to outsmart his enemies and satisfy his own ego.

History

Mello is introduced as a young teenager living at Wammy’s House, an orphanage for gifted children. Early on, he is seen outside playing with the other kids, at one point hitting another child on the head with a soccer ball, while Near remains indoors, occupied with a blank puzzle. When the children return inside, Mello is shown holding back a younger boy. Shortly after, the orphanage manager, Roger Ruvie, calls both Mello and Near to his office, where he informs them of L’s death.

Sultan Abdulmejid (left) with Queen Victoria of the United Kingdom and Emperor Napoleon III of France

Mello and Near discovering L’s death.

Mello is visibly shocked and angered by the news, particularly when he learns that L had not chosen either him or Near as his successor. Roger suggests that the two work together to capture Kira, but while Near is open to the idea, Mello strongly rejects it. He points out that despite his efforts, Near always surpasses him in knowledge and ability, and the two have never been able to get along. With a mixture of frustration and resignation, Mello suggests that Near should take L’s place, and shortly afterward, he leaves Wammy’s House, determined to track down Kira on his own terms.

After leaving the orphanage, Mello eventually makes his way to America. Three years later, he aligns himself with Rod Ross, a high-ranking member of the Mafia. Mello quickly proves his value by eliminating crime figures that even Kira could not identify, gaining Ross’s trust. With Mello’s strategic guidance, Ross agrees to help him acquire the Death Note.

Plot

Nearly four years after L’s death, Mello learns about the Death Note from Ill Ratt, a member of the Special Provision for Kira (SPK), a group led by Near that is also investigating Kira. Ratt keeps Mello informed about the SPK’s plans.

Initially, Mello uses the Mafia to kidnap Kanichi Takimura, the Director of the Japanese NPA, hoping to exchange him for the Death Note, which is in the hands of the Japanese Task Force. When Takimura is mysteriously killed, Mello recognizes this as Kira’s doing and deduces that Kira likely has access to police information. To escalate the pressure, Mello kidnaps Sayu Yagami, the daughter of Deputy Director Soichiro Yagami, and demands that Soichiro come to the U.S. and hand over the Death Note. The notebook is sent in a missile that cannot be tracked by radar, eventually falling into the ocean, where Mello’s group retrieves it before the authorities can react. Throughout this ordeal, Mello eats chocolate while communicating with Soichiro, which Near takes as a subtle sign that Mello has succeeded in obtaining the Death Note.

Mello then forces a member of the Mafia to write the names of almost all the SPK members into the Death Note, aiming to cripple Near’s investigation and eliminate the SPK’s spy. He also threatens to kill Soichiro and Sayu unless the real name of the current L, Light Yagami, is revealed. The Task Force manages to buy time by falsely naming Touta Matsuda as L, and Mello, recognizing Matsuda as a puppet, decides not to kill him.

Mello also blackmails U.S. President David Hoope into granting him access to satellite surveillance, weaponry, funds, and information about the SPK. After learning the SPK has narrowed down his location, Mello relocates. Meanwhile, the Shinigami Sidoh, the original owner of the Death Note in Mello’s possession, tracks him down and causes panic among the Mafia members. Mello, however, remains calm and negotiates with Sidoh, instructing him to protect the hideout from potential attacks by the SPK.

Sidoh reveals to Mello that two of the Death Note’s rules, including the one stating that a user must kill someone within 13 days or die, are false. Mello quickly realizes that Kira likely used this rule to trick the Japanese police into believing he was innocent. Mello then forces Mafia member Jack Neylon to make the Shinigami Eye deal with Sidoh.

Light Yagami later discovers Mello’s location using Misa Amane’s Shinigami Eyes to identify Neylon, the current holder of the Death Note. Light sends a U.S. Army Special Forces team to raid Mello’s hideout, but Sidoh helps Mello and his associates escape, leaving only one surviving soldier, who takes his own life. However, Mello’s hideout is located again, this time by the Kira Task Force led by Soichiro Yagami, who has made the Shinigami Eye deal with Ryuk. During the raid, most of the Mafia members are killed, but Mello escapes after detonating explosives, leaving him scarred along the left side of his face.

Mello later takes refuge in New York, at the home of SPK member Halle Lidner, who keeps him informed about Near’s progress. Lidner believes that both Mello and Near are essential to capturing Kira, even if they fail to cooperate. Mello eventually infiltrates SPK headquarters, holding Lidner at gunpoint. He demands the only existing photograph of himself from Near. Near acknowledges Mello’s role in helping his investigation, which enrages Mello. He turns his gun on Near, but Lidner intervenes, convincing him not to shoot. Near then hands over the photograph, and in exchange, Mello informs Near about the Shinigami and the fake Death Note rules. As Mello departs, both vow to see who will catch Kira first. This meeting significantly sharpens Near’s suspicions of Light Yagami.

Mello later lures Kanzo Mogi of the Japanese Task Force to New York, where he is captured by Near and the SPK. Near and Mello’s conversation, as well as other developments, cause Mogi and Shuichi Aizawa to question whether Light Yagami could be Kira. Eventually, Aizawa meets with Near and provides further information about the Death Note. Lidner passes this information on to Mello, except for Near’s discovery that Light is the new L and the prime suspect for Kira.

Joined by his childhood friend Matt, Mello follows Aizawa and Mogi back to Los Angeles, where they spy on Misa Amane and the Task Force. Mello suspects Misa is the Second Kira, though her airheaded behavior makes him doubt Kira would have willingly allied with her. Nevertheless, he concludes that her boyfriend, Light Yagami, is indeed L.

Mello and Matt later follow the Task Force back to Japan, where they continue their investigation of Kiyomi Takada, a news anchor who has been chosen as Kira’s new spokesperson. Mello had originally planned to steal the Death Note from Misa but concludes that she is no longer the Second Kira.

Mello eventually kidnaps Kiyomi Takada with Matt’s assistance. After a chase, Mello successfully evades Takada’s guards and locks her in a shipping truck. However, Takada has hidden a piece of the Death Note in her clothing, and knowing Mello’s real name from Light, she uses it to kill him.

Influence After Death

Mello’s death proves to be a crucial turning point in the battle against Kira. Upon learning of Takada’s kidnapping, Teru Mikami, the current Kira, uses the Death Note to make her kill herself and destroy the evidence by setting fire to the truck. Unknown to Mikami, Light had also written the same instructions in his own Death Note moments earlier. This act of Mikami retrieving his Death Note from a bank deposit box is a critical breach in his usual routine. Near’s agent, Gevanni, notices the irregularity and is able to track down the real Death Note, allowing Near to expose Light Yagami as Kira and bring him to justice.

During the final confrontation with Light, Near credits Mello’s actions as the key factor in Kira’s downfall. Although Near doubts that Mello anticipated this outcome, he acknowledges that their combined efforts not only matched the original L but ultimately surpassed him, leading to Kira’s defeat.

In a final nod to Mello, Near is later seen eating a chocolate bar, a subtle tribute to his fallen rival.

In other media

Novel
Mello serves as the narrator for the Death Note spinoff novelDeath Note: Another Note: The Los Angeles BB Murder Cases. In this story, Mello explains that his purpose for narrating is to flaunt his superior knowledge of L compared to Near, even going so far as to refer to Near as a “big-headed twit.” Mello acknowledges that Near may not be the only person to read the story, so he attempts to make it more engaging. Throughout the novel, Mello shifts between traditional narration and a more casual, live storytelling style, which he claims helps him avoid boredom. The novel alternates between Mello’s commentary and Naomi Misora’s perspective as she investigates the BB murder cases.

TV Drama
In theDeath Notetelevision drama, Mello is portrayed as a split personality within Near. Initially, Mello is represented as a puppet that Near carries, but eventually, he manifests directly as part of Near’s psyche. Mello is depicted as more aggressive and volatile, in stark contrast to Near’s calm and methodical nature. At times, L scolds Mello when his actions interfere with Near’s investigations. Following L’s death, Mello begins to dominate Near’s personality, taking more extreme measures to capture Kira. However, it is later revealed that this shift in personality was a strategic move by Near to provoke Light into exposing himself as Kira. The Task Force and the police were aware of the plan, suggesting that Near has some control over when Mello’s personality emerges, although it is unclear whether this ability to switch has always existed or is a recent development.

Film Series
Mello does not make a direct appearance in theDeath Notelive-action film series but is acknowledged within the continuity. In the second episode of the mini-seriesDeath Note: New Generation, Ryuzaki asks Near about Mello, to which Near responds that Mello is his personal concern.

Conception

(The following information is from Death Note 13: How to Read)

Tsugumi Ohba: Writer
Takeshi Obata: Artist

Overview

Tsugumi Ohba introduced Near and Mello together because he felt that L alone could not defeat Kira. To avoid repeating the dynamic between Light and L, Ohba wanted a narrative that involved three key players competing against one another. Initially, he was uncertain about their ages and even considered making them younger versions of L. Their personalities weren’t fully developed from the start, as Ohba preferred to reveal their traits through their actions.

Ohba chose to give Mello his signature habit of eating chocolate because he believed chocolate symbolized all sweets, which he felt aligned well with the story’s U.S. setting. He also found the trait useful in the plot, as discarded chocolate boxes helped locate Mello’s base. Additionally, Mello’s scar was added to give him more depth and make his character stand out. These elements were intended to create a more distinctive and layered character.

Originally, Ohba considered having Mello be the one to ultimately defeat Light. However, after Sidoh’s departure from the story, Ohba found it challenging to decide Mello’s role. Although he initially envisioned Mello outsmarting both Light and Near, once Mello learned too much about the Death Note, Ohba felt it was necessary to kill him to maintain the tension of the story. As a result, Mello was given a smaller role toward the end ofDeath Note, with his actions affecting Light indirectly. Ohba opted for Mello’s death to be understated, depicted in a single panel, as a more dramatic demise would have revealed too much about the circumstances of his death.

Character Design

Ohba allowed Takeshi Obata to design both Near and Mello and requested that the characters have traits reminiscent of L.

Initially, Obata aimed to include some of L’s “oddness” and signature dark, shadowed eyes in both characters. He admitted that this resulted in Near and Mello looking too much like L, and described their designs as a significant challenge. Obata initially thought Near and Mello would work as a team, which led him to design them as twins. However, during the design phase, the characters’ appearances were accidentally swapped. Mello’s original design, which ended up being used for Near, had a more chaotic look, while Near’s original design, eventually used for Mello, appeared more calm and feminine. Obata later decided that this unintentional switch worked out for the best.

Obata also stated that he designed Mello’s clothing based on his personal preferences for drawing—particularly his fondness for shiny leather—rather than clothing he would wear himself. Originally, Mello’s hairstyle was neatly cut, but Obata preferred the messy look that emerged as the story progressed. He was especially pleased when Ohba added the scar, as it allowed him to portray Mello as cooler and more intense.Death Note 13: How to Readdescribes Mello as looking “more intense” and “more human” with the scar, which Obata enjoyed drawing.

Obata expressed sadness when Mello was killed in the story, as he had just begun to feel he could truly capture the character’s essence with the scar. He later remarked that if he had spoken to Ohba about how satisfied he was with Mello’s new design, Ohba might have reconsidered Mello’s death.

Trivia

    Sultan Abdulmejid (left) with Queen Victoria of the United Kingdom and Emperor Napoleon III of France

    A Mello Nendoroid Petite figure.

    • Mello mentions that during his one meeting with L, he was told three stories. The first was about the L.A. BB murder case, which later became the subject of a novel. The second story detailed L’s final confrontation with the real Eraldo Coil and Deneuve, and the third explained how L first met Watari when he was eight years old.
    • Mello’s weapon of choice is the Beretta 92FS.
    • Although Mello does not appear in the live-actionDeath Notefilms, L is seen eating several chocolate bars, a subtle reference to Mello’s character.
    • Mello was one of severalDeath Notecharacters to be turned into a Nendoroid figure, though he was only made as a Nendoroid Petite. Light, L, Misa, and Ryuk were created as both full-size Nendoroid figures and Nendoroid Petites.