Fyodor Dostoevsky is an enigmatic individual known for his cunning, unpredictable, and sinister nature, often compared to Osamu Dazai. Regarded as a “monster” by his enemies, Fyodor is composed, confident, and unshaken even in dire situations. His extraordinary intellect, observational skills, memory, and deep understanding of human nature enable him to outsmart and manipulate even the most formidable adversaries. Fyodor’s boldness is evident in his willingness to place himself in seemingly vulnerable positions, such as allowing himself to be captured by enemies, confident that his plans will succeed. For instance, when threatened by Ace, Fyodor calmly retorted that he would kill him, showcasing his straightforwardness and fearlessness when required.

A defining characteristic of Fyodor is his view of salvation, which he ties to his grandiose vision of perfection and harmony under God’s will. Despite this, he commits heinous acts of terrorism with calculated nonchalance, claiming to be carrying out divine will. He often speaks of humanity’s sinful nature and his mission to purify it, seeking the Book to rid the world of abilities. Ironically, his adversaries, including Dazai, refer to him as a “demon” or “monster,” highlighting the stark contrast between his proclaimed ideals and his cruel actions.

Fyodor views his subordinates and associates, such as those from the Rats in the House of the Dead and Decay of the Angel, as mere pawns in his schemes. He manipulates and exploits them to achieve his cryptic goals, showing no genuine loyalty or care. For example, he used Nathaniel Hawthorne’s love for Margaret Mitchell by brainwashing him, and betrayed Sigma after he fulfilled his role at the Sky Casino, even attempting to have him assassinated. Dazai notes that Fyodor does not trust anyone he cannot manipulate, which explains his lack of genuine friends or allies.

Fyodor’s manipulation extends to global-scale schemes, such as his involvement with Ōchi Fukuchi. Despite Fukuchi’s status as a world-renowned hero and leader of Decay of the Angel, Fyodor deceived him into enacting a global terrorism plot, under the guise of preventing a world war. Fyodor even orchestrated Fukuchi’s transformation into a being with godlike powers, only to later reveal that the supposed world war was a fabricated lie. These actions emphasize Fyodor’s ruthless disregard for the lives and emotions of others, using everyone around him as tools for his enigmatic objectives.

Ultimately, Fyodor is a manipulative, self-interested mastermind who relies on exploiting others’ desires and ambitions rather than fostering loyalty or genuine relationships. As Dazai suggests, Fyodor’s inability to trust anyone he cannot control is the cornerstone of his isolated and calculated existence.

Fyodor Dostoevsky is a tall and slender young man with a strikingly pale complexion and a thin, angular face. His long, messy hair, a purplish-black hue, falls to his shoulders in a somewhat disheveled manner, complementing his sharp dark purple eyes, which give him a perpetually tired appearance.

Fyodor’s attire is formal and distinctive. He typically wears a long-sleeved buttoned white shirt with light purple cuffs and outlines, paired with white pants. Over this, he dons a black coat adorned with a few yellow buttons, which reaches his knees and is trimmed with white fur. His look is completed with a white ushanka hat and long maroon boots, adding to his enigmatic and refined aura.

After his arrest, Fyodor is transported to Meursault, where he wears standard white prison clothing, reflecting his current status while maintaining a subdued and composed appearance.

The earliest known events in Fyodor Dostoevsky’s history date back to his capture by Bram Stoker and his followers. During this time, Bram’s executioner attempted to kill Fyodor, but Fyodor used his ability, Crime and Punishment, to take over the man’s body and escape.

At some point, Fyodor manipulated Ōchi Fukuchi by creating a fabricated prophecy about a world war occurring in 36 years. This false prediction compelled Fukuchi to establish the Decay of the Angel and initiate a global terrorism plot under the guise of preventing the war. Fyodor’s influence over Fukuchi highlights his ability to orchestrate large-scale schemes through deception and manipulation.

Fyodor is also mentioned to have met Osamu Dazai at an unspecified time, though the details of their encounter remain unclear. Three years prior to current events, Fyodor met Sigma, a being created through the power of the Book. During their meeting, Fyodor offered Sigma the promise of a home, an offer Sigma accepted, cementing his role as an ally in Fyodor’s plans.

Later, Fyodor seemingly aligned himself with the Guild, likely in an effort to acquire the Book, possibly with the collaboration of the Order of the Clock Tower. His pursuit of the Book underscores his overarching ambition to achieve his cryptic and world-altering goals.

Fyodor Dostoevsky’s ability, Crime and Punishment (罪と罰, Tsumi to Batsu, Russian: Преступление и наказание, Prestupléniye i nakazániye), enables him to steal the body of the person who kills him, effectively transforming them into a copy of “Fyodor Dostoevsky.” This ability was revealed in a memory accessed through Sigma’s ability, where a soldier executed Fyodor in the distant past. As Fyodor’s blood splattered onto the soldier during his death, the soldier experienced intense pain before his body was fully taken over by Fyodor. This unique ability allows Fyodor to seemingly live for an incalculable number of years, as evidenced by the age of the memory Sigma witnessed.

What sets Crime and Punishment apart is its resilience, even under the influence of Shibusawa’s mist, which typically turns abilities against their users. In this instance, Fyodor’s ability identified itself as the “punishment” to Fyodor’s “crime,” emphasizing a deep and intrinsic connection between Fyodor and his power.

Fyodor established the Decay of the Angel as a terrorist organization aimed at dismantling societal structures. His leadership and strategic mind laid the foundation for the group’s operations, though he eventually distanced himself from the organization to pursue other objectives.

As the leader of the Rats in the House of the Dead, Fyodor directs his followers with precision and ruthlessness. His goals and actions often bring him into conflict with other factions, such as the Armed Detective Agency and the Port Mafia. Fyodor’s schemes frequently involve complex manipulations and multi-layered plans, showcasing his unparalleled intellect.

Fyodor’s presence in Bungo Stray Dogs serves as a driving force for much of the series’ conflict. His ability to manipulate people and situations from the shadows positions him as one of the series’ most dangerous antagonists. His philosophical musings and enigmatic demeanor add depth to his character, making him a compelling and thought-provoking figure.

Fyodor Dostoevsky is one of the most enigmatic and dangerous antagonists in Bungo Stray Dogs. His ability, Crime and Punishment, and his role as the leader of the Rats in the House of the Dead reflect his intellectual brilliance and ruthless pursuit of his ideals. Inspired by one of literature’s greatest authors, Fyodor’s character explores themes of morality, justice, and the human condition, solidifying his place as one of the series’ most compelling figures.