ACAB – All Cops Are Bastards
ACAB – All Cops Are Bastards | |
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Directed by | Stefano Sollima |
Produced by | Marco Chimenz, Giovanni Stabilini, Riccardo Tozzi |
Screenplay by | Barbara Petronio, Daniele Cesarano, Leonardo Valenti |
Based on | ACAB by Carlo Bonini |
Starring | Pierfrancesco Favino Filippo Nigro Marco Giallini |
Music by | Mokadelic |
Cinematography | Paolo Carnera |
Edited by | Patrizio Marone |
Production
company |
Cattleya
Babe Film Rai Cinema |
Distributed by | 01 Distribution |
Release date
|
|
Running time
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112 minutes |
Country | Italy |
Language | Italian |
ACAB – All Cops Are Bastardsis a 2012 Italian drama film directed by Stefano Sollima.
ACAB – All Cops Are Bastards | |
---|---|
Directed by | Stefano Sollima |
Produced by | Marco Chimenz, Giovanni Stabilini, Riccardo Tozzi |
Screenplay by | Barbara Petronio, Daniele Cesarano, Leonardo Valenti |
Based on | ACAB by Carlo Bonini |
Starring | Pierfrancesco Favino Filippo Nigro Marco Giallini |
Music by | Mokadelic |
Cinematography | Paolo Carnera |
Edited by | Patrizio Marone |
Production
company |
Cattleya
Babe Film Rai Cinema |
Distributed by | 01 Distribution |
Release date
|
|
Running time
|
112 minutes |
Country | Italy |
Language | Italian |
Plot
The film focuses on the life of a group of riot control force policemen, theCelerini, and their life in Rome “cleansing” stadiums of Ultras, public demonstrations, evictions and everyday family life.
A new recruit, Adriano Costantini, joins the squad for its “high-paying” salary, which he needs to support his mother. The two of them live in a small apartment from which they’ll soon be evicted and, even though they had been assigned a public housing, that has been abusively occupied by an immigrant family and is therefore uninhabitable. Adriano is prone to violence and often prefers the use of force even in situations where it is unnecessary, additionally fueled by the anger he feels over his mother’s situation.
Mazingais the leader of the squad and father of a rebellious teenager who starts to hang out with a neo-fascist group and is embarrassed by his father’s job. Mazinga gets stabbed during a confrontation at the stadium and loses control of one of his legs, prompting a manhunt for the culprit from his colleagues.
Negro, another member of the group, is going through a difficult divorce and is denied visitations with his daughter.
Cobrais the most dedicated member of the team. He believes in protecting his “brothers” in arms above anything else, no matter the errors they may have committed. He believes in the job he’s doing but sometimes the lines between protecting his fellow policemen and respecting the law get blurred. He may be one of the most violent members of the squad, also facing trial for beating a supporter during a football match.
The life of those four men unravel throughout the movie, while in the background the tensions between the police force, the Ultras, the immigrants and the fascists reaches its peak.
Cast
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Pierfrancesco Favino: Cobra, group frontman
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Filippo Nigro: Negro
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Marco Giallini: Mazinga, an injured policeman
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Andrea Sartoretti: Carletto, former agent
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Domenico Diele: Adriano
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Roberta Spagnuolo: Maria
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Livio Beshir: Mustafà
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Nick Nicolosi: school headmaster
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Alessandro Procoli: Mosque leader
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Alessandro Sanguigni: Cameo
Production
The film was the debut feature from director Stefano Sollima, who had previously directed the TV crime seriesRomanzo criminale – La serie.[1]
Music
The music was composed and performed by the Italian post-rock band Mokadelic and was recorded entirely at the famous Forum Music Village studios in Rome. The soundtrack contains 80’s and modern rock hits like “Seven Nation Army” by The White Stripes, “A.C.A.B.” by The 4-Skins, “Where Is My Mind?” by Pixies, “Police On My Back” by The Clash, “New Dawn Fades” by Joy Division and “Snow” by The Chemical Brothers.
Critical response
Awards and nominations
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2012 –David di DonatelloNominationDavid di Donatello for Best New Directorto Stefano SollimaNominationDavid di Donatello for Best Supporting Actorto Marco GialliniNominationDavid di Donatello for Best Cinematographyto Paolo CarneraNominationDavid di Donatello for Best Make-upto Manlio RocchettiNominationDavid di Donatello for Best Editingto Patrizio MaroneNominationDavid di Donatello for Best Soundto Gilberto Martinelli
See also
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A.C.A.B.
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Diaz – Don’t Clean Up This Blood
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Riot control